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2016年9月28日水曜日

My heart belongs to daddy-♭-Marilyn Monroe これを歌ってみて

Marilyn Monroe - my heart belongs to daddy


-♭-これを歌ってみて-♭-

My Heart Belongs To Daddy Lyrics
from Great American Legends: Marilyn Monroe
Songwriter:PORTER, COLE
Published:Lyrics c Warner/Chappell Music, Inc.

While tearing off a game of golf
I may make a play for the caddy
But when I do, I don't follow through
Cause my heart belongs to Daddy

If I invite a boy some night
To dine on my fine food and haddie
I just adore, his asking for more
But my heart belongs to Daddy

Yes, my heart belongs to Daddy
So I simply couldn't be bad
Yes, my heart belongs to Daddy

So I want to warn you laddie
Though I know that you're perfectly swell
That my heart belongs to Daddy
Cause my Daddy, he treats it so well

While tearing off a game of golf
I may make a play for the caddy
But when I do, I don't follow through
Cause my heart belongs to Daddy

If I invite a boy some night
To cook up some hot enchilada
Though Spanish rice is all very nice
My heart belongs to Daddy

Yes, my heart belongs to Daddy
So I simply couldn't be bad
Yes, my heart belongs to Daddy

So I want to warn you laddie
Though I know that you're perfectly swell
That my heart belongs to Daddy
Cause my Daddy, he treats it so well

From Wikipedia, the free encyclopedia
"My Heart Belongs to Daddy" is a song written by Cole Porter, for the 1938 musical Leave It to Me! which premiered on November 9, 1938. It was originally performed by Mary Martin, who played Dolly Winslow, the young "protégée" of a rich newspaper publisher.[1]

In the original context, Dolly is stranded at a Siberian railway station, wearing only a fur coat, and performs a striptease while singing the song. Surrounded by eager Siberian men, she says that since she has met "daddy", she will flirt with other men, but won't "follow through". "Daddy" is her sugar daddy, a newspaper magnate introduced with the words, "I've come to care, for such a sweet millionaire".
From Wikipedia, the free encyclopedia

Leave It to Me!
Leave It to Me! is a 1938 musical with music and lyrics by Cole Porter. The book was a collaborative effort by Samuel and Bella Spewack, who also directed the Broadway production. The musical was based on the play Clear All Wires by the Spewacks, which was performed on Broadway for 93 performances in 1932,and which was filmed in 1933, starring Lee Tracy, Benita Hume, Una Merkel and James Gleason.

Set in Stalinist Russia in the 1930s, with Stalin himself appearing at the end, in the Cold War era after World War II its comic treatment of Soviets and Nazis seemed misplaced, and the show was not revived until the late 1980s.